Celtic Music Reviews
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"Posing As Human" by RISE
by Joe Wallace
Artist: Rise Album: Posing As Human Year produced: 2004
Many bands pass themselves off as eclectic; few truly pull it off well. Rise is one of those rare groups that show talent in a diverse array of musical idioms. The Scottish foursome's second album, "Posing As Human," begins with a strong cocktail of Dylan and The Sundays-influenced sounds. Singer Debbie Dawson's voice has a vulnerable quality perfect on songs like "Don't Stop the World" and "I Will Love You Always". The multi-talented Gerry Geoghegan's twelve-string guitar playing is both free-wheeling and precise; "The Gallows" highlights his skill with perfect timing with complex start-and-stop playing.
Slide guitar fans will appreciate the bluesy "Welcome To The Real World", and Debbie Dawson's voice works particularly well, especially when the song changes from the minimal blues riff to a fuller rock sound. Geoghegan takes a turn on the mic on some tracks. "I Will See My Love Again" and "Green Grow the Rashes-o" find him in good voice, especially on the harmonies. Geoghegan sounds very much like a peer of Fleetwood Mac guitarist Lindsey Buckingham; he is every bit as diverse and skilled with his song arrangements as the ‘Mac guitarist.
There is a traditional influence on this CD, but ‘eclectic' is the word of the day. Celtic purists may be a bit disappointed, but those who like a combination of blues, folk and rock should spend some time with this new release. On the technical side it's a well-produced effort with the singing and guitars expertly mixed-every note is clear and strong. There's some beautifully restrained keyboard work going on in the background, giving some songs an ethereal quality while others get a slight gospel flavor.
Second albums are often difficult for any band, but Rise doesn't show any signs of what music biz people call the "sophomore slump". The group does well in capturing its essence on CD, but after an extended listen to "Posing" you'll find yourself wanting a live performance to catch Rise at its full power. A live CD would be most welcome; in the meantime, "Posing As Human" is one to put in the changer on ‘repeat'.
Buy the Album: Posing As Human
Celtic MP3 Music Magazine writer Joe Wallace reviews music for many publications and writes both nonfiction as well as short stories. His nonfiction work includes articles for Korean Quarterly, Indie-Music.com, the Alternative Culture Guide, and Factsheet Five. Contact him through his website at www.freelance-zone.com.
--posted by Marc Gunn, Thursday, June 16, 2005. Find Celtic Free Music Downloads from the Brobdingnagian Bards.
"Take Two" by Sean McCabe and Cady Finlayson
by Catherine L. Tully
Artist: Sean McCabe and Cady Finlayson Album: Take Two Year produced: 2000
With the pairing of Cady Finlayson on the fiddle and Sean McCabe's smooth voice--how can you go wrong? This 16-track CD is packed with expert playing, traditional sounding tracks and a little experimentation here and there to boot. In other words, there is a little something for everyone.
If you are a traditionalist, waste no time--go for track four--"Rising of the Moon." It gives you that good, familiar feeling, like relatives are in the living room singing old songs. For those who get their toes tapping with Irish Step Dance music, there is a jig, a reel and a hornpipe in store as well.
If you are in need of a pick-me-up, try track nine--"Nobody Wants to Know You When You're Broke." It will pretty much guarantee a smile on a rough day. Most of the songs have the upbeat style of Irish music--even when they speak of sadness. The first track, "Northerners" which talks about the difficulties in Ireland and leaving the country is still a terrific listen and doesn't leave you feeling glum.
Cady Finlayson's skill is obvious, and the CD does highlight it. The fiddle playing in track 12 struck that lovely yearning that only truly skilled players can make you feel. It will leave you with a lump in your throat. At times she is in a supporting role to McCabe's voice, but many of the tracks let her shine as well.
Track 15, "Take These Blues Away" is the prayer of a widow, and does a nice job of marrying the two artists together in sound. It is also McCabe's strongest "storytelling" style-song. The entire CD does a good job of mixing it up so that you are never sure what to expect next, although you are assured an interesting ride, regardless. All in all this mixture of contemporary Celtic folk and traditional-style music works.
Buy the Album: Take Two
Catherine L. Tully is a freelance writer and photographer specializing in the arts. She has written for Dance Teacher Magazine, Classical Singer and Dance Spirit among others, and reviews music for Celtic MP3s Music Magazine. You can reach her at ctully@freelance-zone.com.
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